![]() However, when you set out to duplicate the effect for yourself, it quickly becomes clear why a police siren was chosen for the demonstration: it has a very simple harmonic signature, and cuts cleanly through the ambient noise. #Spectralayers pro 3 proSuch a clean effect would be impossible to achieve with a traditional wave editor, yet SpectraLayers Pro 2 does it in a few clicks. One of Sony’s product demos shows the technique being used to completely remove a wailing police siren from an audio recording, with no audible detriment to the rest of the sound frankly, it’s stunning. This is the real party-trick of SpectraLayers Pro 2. You can also invert its phase, causing your captured elements to be silenced in the original file when the two layers are played simultaneously, or use it as a noiseprint, to subtract its frequencies from the original file as a whole. Once you’ve got your desired audio data on a fresh layer, you can adjust and scale the time and frequency components, apply 32-bit VST effects, or simply send it to a more conventional audio editor for direct editing. ![]() Cleverly, you can choose to base your selection on the second or third harmonic of a sound, rather than the fundamental, which is useful if your mix is muddy. #Spectralayers pro 3 fullPerform noiseprint-based noise reduction using customized noiseprints containing multiple frequency bands of any width.The Extract Harmonics tool does much the same, but it also captures harmonics at appropriate multiples of the fundamental frequency, in order to convey the full timbre of a voice or musical instrument. Spectral Casting/Spectral Molding opens up unexplored new worlds of audio processing possibilities. Use the frequency spectrum of one layer as a cast or mold for carving an impression directly into the spectrum of a second layer. #Spectralayers pro 3 macThe latest edition features parallel developments in program design and core engine performance that work together in harmony to deliver the most highly-evolved spectral editing platform available.Įnjoy seamless interoperability with Sound Forge Pro 11 and Sound Forge Pro Mac 2.5. If you work with digital audio, you need SpectraLayers Pro 3. Professionals who demand the deepest audio analysis Make old recordings sound their best, with technology that transforms historical audio documents into detailed visual documents that can be edited directly in the spectral graph. Pull target sounds for analysis, replacement, or rights management purposes. Forensics specialists / music and dialog extractionĪudio extraction is a SpectraLayers Pro 3 specialty. Apply bandwidth-limited noiseprints across entire files, or perform surgical cuts to remove isolated sonic events. Isolate individual sounds in an audio file, select material by frequency, and construct new music directly on the spectral graph.Įliminate unwanted noise with extreme precision. Transcend the waveform display and refine your vision with SpectraLayers Pro 3.įrom small fixes to radical, project-wide transformations, use SpectraLayers Pro 3 to repair, filter, and remix audio in ways you never thought possible. The spectral editing experience is, literally, sound as vision. ![]() Move sounds around, reduce noise and clutter, increase clarity, or get totally creative and transform a sound picture into something new and different. Make detailed repairs with precise tools. In SpectraLayers Pro 3, you can work with the individual sounds in an audio file just as if they were objects in a photograph. Transcending the limitations of waveform editing ![]() The official marketing text of Sony SpectraLayers Pro 3 as supplied by the manufacturer ![]()
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